I’m Old Fashioned (2024)

Most of the story about how this record came together is already penned in the liner notes for Ready, Willing, and Able, last year’s release. I’ll spare you the repetition, except to say that “I Could Have Told You So” is the song that started this whole project. There are probably few musical experiences I’ve had that would compare to hanging out in New York for a few days with Cory, recording in the hallowed ground that is Rudy Van Gelder Studio, and doing so with the caliber of musicians that play on this record: Ben Paterson, Chris Flory, and Neal Miner. I’m truly grateful for the opportunity, and the musicality these titans brought to the record.

Sequencing this record was tough. There are many slower songs, so breaking up the tempos was tricky. We kick off with just Neal’s bass and the vocal to You Took Advantage of Me. This song has been a stalwart in my repertoire for years, and I love its playful lyrics.

“Spring Won’t Be Around This Season” takes things into serious land. Cory brought this song to me, as performed by Teddi King. I spent quite a bit of time with it and simply loved it. But it’s so poignant. I loved the metaphor of hanging in the balance of life when love has ended.

I picked “Candy” because I can’t get it out of my head! Nat Cole’s trio plays it at a perfectly delicious tempo, and it feels SO great. We wanted to recreate this feel, and Ben, Neal, and Chris really keep it in the pocket.

When we were talking about “A Nightingale Sang in Berkeley Square”, Ben was insistent on trying a straight feel with this cool rhythmic pattern that he knew Chris Flory to do. “Twist my rubber arm,” I said, as it felt great from the very first run-through. Cory also loved this song enough (OK, ‘love’ is probably a strong word…) to pick it as the first single. I recorded my vocals for the album on a vintage RCA ribbon mic, and for some reason, I felt this tune really sounded great.

“Don’t Go To Strangers” is such a well-known classic—I’ve loved this song for decades. Ben suggested we start the refrain in a rubato style, and it felt great. Ben brought so much depth and musicality at every turn; it was really a delight to have him on the album.

For the title track and second single, we have “I’m Old Fashioned.” I decided to title the record with this tune, as it really encapsulates how this music makes me feel. This song’s tempo is what I’d call “Ben’s tempo,” in a way. The band really swings, and I can see the dancers enjoying the heck out of this track. Chris plays a killer solo and is so tasteful handing it over to Neal.

Next up is the song that started it all, “I Could Have Told You So.” I tell the story on my previous album’s liner notes, but Cory had brought Ben to Vancouver a few years ago, and after inviting me on stage to sing a tune, we played this tune. We had to include it, of course, and Ben plays a beautifully longing intro to what is easily one of my favorite songs of all time.

Ben’s stride intro on “Mean to Me” sets us up nicely for this next track, which is pure fun. It would seem the older I get, the more I’m into the tunes with the playful and sarcastic lyrics! Ben’s, Chris’s, and Neal’s solos are so great. I really loved the vibe of this track overall.

Speaking of old, I was 25 when I started singing “Blame it On My Youth.” It’s an introspective ballad that, 25 years later (for me), still captures the bittersweet nostalgia of young love and the inevitable heartaches of giving oneself without measure. I love this melody and lyrics so very much.

“Surfer Girl” is a song that’s been on my mind for years. If you’re reading this before getting to this song, it’s the wonderful ballad Brian Wilson wrote for The Beach Boys. It’s also my wife’s and my song. I used to call her my “little surfer girl.” I knew Ben could make it feel like it always belonged in this style, and every time I listen to it my eyes still well up a little. Happy tears. I hope you love it.

This album was recorded over the same two-day period as Ready, Willing, and Able, and although that’s over 2 years ago now, it feels timeless to me. Shawn Pierce did a beautiful job mixing and mastering. We’ve done 3 records together now, and I look forward to many more. Thank you, Shawn!

My friend Cory: Thank you. I hope you know that I love our friendship and shenanigans to no end.

Credits:
released November 1, 2024
Luis Giraldo – voice
Ben Paterson – piano
Chris Flory – guitar
Neal Miner - bass
Executive Producer: Luis Giraldo & Cory Weeds
Produced by Luis Giraldo & Cory Weeds
Recorded at Van Gelder Studio, Englewood Cliffs, NJ, on January 29th, 2022
Engineered by Maureen Sickler
Mixed and mastered by Shawn Pierce
Photography by Cory Weeds
Design and layout by Perry Chua

Ready, Willing, and Able (2023)

Several years ago, Ben Paterson came to Frankie’s Jazz Club in Vancouver to play with Cory Weeds. Cory While enjoying the set, Cory asked me to join them on stage for a tune. I didn’t know Ben personally then, but at that very moment, I knew I wanted to someday record an album with him. This began my being a pain in Cory’s ass for years about producing a record for me.

In late 2021, we found ourselves booking flights and hotels to fly out to New York City at the end of January 2022 to go into Rudy Van Gelder studio for two days to record with Ben. I pitched Cory and Ben on doing not one but two albums: organ trio and piano trio. Ben agreed, and here is the result of day one.

Credits:

released July 7, 2023
Luis Giraldo - voice
Bria Skonberg - voice and trumpet (tracks 2 & 8)
Ben Paterson - Hammond B3 organ
Ed Cherry - guitar
Jason Tiemann - drums
Executive Producer: Luis Giraldo & Cory Weeds
Produced by Cory Weeds
Recorded at Van Gelder Studio, Englewood Cliffs, NJ on January 28th, 2022
Engineered by Maureen Sickler
Mixed and mastered by Shawn Pierce
Cover artwork by Perry Chua
Photography by Cory Weeds
Design and layout by Perry Chua

It’s Always You (2008)

I had been teaching Logic music production at Pacific Audio-Visual Institute (PAVI) in Vancouver. Tom Lavin extended the studio to me at a great rate to come in and record this album. So much planning went into this recording, with various ensembles coming through for the various styles (slow songs had string quartet, up-tempo tunes all had horns). Overall, it was an incredible music-filled three days where everyone gave all their talent without measure.

Credits:

Executive Producer: Luis Giraldo
Producer: Luis Giraldo
Co-producer: Bill Runge
Recorded at Blue Wave Productions, March 3-5, 2008
Recording Engineer: Shawn Cole
Assistants: Paul Boechler, Sarah MacDonald, Sean Hallaren
Mixing: Shawn Pierce
Mastering: Steve Fallone for Sterling Sound, NYC

Arrangements:
Bill Coon (2, 8, 12)
Jill Townsend (4)
Bill Runge (1, 3, 5, 6, 7, 9, 10, 11)

Musicians:
Luis Giraldo: All vocals, Piano on 3, 5, 10, 11
Doug Stephenson: Bass (3, 5, 10, 11)
Bernie Arai: Drums (5, 10)
Craig Scott: Drums (3, 11)

Jodi Proznick Trio (1, 6, 7, 9):
Jodi Proznick: Bass
Tilden Webb: Piano
Jesse Cahill: Drums

Bill Coon Trio (2, 4, 8, 12):
Bill Coon: Guitar
Darren Radtke: Bass
Dave Robbins: Drums

Babayaga String Quartet (2, 4, 5, 7, 9, 10, 12):
Patricia Armstrong, Laurie Hill: Violins
Marie-Claude Brunet: Viola
Harold Birston: Cello

Brass:
Vince Mai, Miguel Angel Valdes: Trumpets (1, 3, 6, 8, 11)
Roderick Murray: Trombone (1, 3, 6, 8, 11)
Bill Runge: Saxophones (1, 3, 6, 8, 9, 11)

Day Dream (2002)

CREDITS:

Piano: Chris Sigerson
Bass: Rick Kilburn
Vocal: Luis Giraldo

Recorded at Riverside Recording, Burnaby, B.C., Canada
Engineered by Rick Kilburn and Cory Gray
Mixed by Rick Kilburn
Digital Mastering by Rick Kilburn and Cory Gray
Cover Art: Rebecca Kovacs
Art Layout and Design: Luis Giraldo
Executive Producer: Luis Giraldo

Acknowledgments:

Rick and Chris: Thanks for your amazing talent. It is an honour to have you playing on this record.
Rebecca Kovacs: Thanks for the beautiful cover design, it represents the album so well!!
Mom and Dad, I am proud of you both for your amazing achievements in life. Your love and support for what I do are the most important things you could ever give me. Thank You.
Peter Chan at Universal Records (Philippines), thanks for taking this album to a part of the world I couldn't have reached on my own.
Catherine: Thanks for opening this Jazz door for me, it's one that shall never close.

Last but not least, thanks to all the musicians who, at one time or another, have taken a moment to teach music or pass along valuable information that couldn't have been known otherwise.